ORV Live Action Mini Review

 

Was anyone surprised that the actual movie was shit? 

I personally wasn't. Maybe I was more tempered in my expectation, with mediocre being my guess in the end. 

I was not expecting outright bad and incompetent writing and filmmaking in general. 

The initial premise just seems like a run-of-the-mill apocalypse movie with superhero shit. There is none of what made ORV so great in the first place. Heck, the Star Stream scenarios were supposed to be humanity's punishment for some goddamn reason by the universe, I guess. Yeah, that's a thing. 

The cinematography felt more like a commercial than an actual film. I feel like the medium of film is not used at all. There is no love in the frame, not any love for anything but the director's own misguided beliefs, revealing repulsiveness. 

The dialogue is completely stilted and unnatural. There is no love in this. 

The characters are OOC if not outright in name. What the hell happened to everyone? No, KDJ won't do that. No, that's no Yoo Sangah. No, that's no Heewon either. No, that's not Gilyoung. No, that's definitely not Yoo Joonghyuk. No, that's not HyunSung. I feel like a broken record. Fuck, the villains aren't them either! 

The women's struggles and their experiences are completely erased. I mean it, SA, sexual harassment, domestic violence, and the sexism the women experienced are rendered null. There is no interior to them, only them serving the main character's 'growth'. This is misogyny revealed by the director and production team, who, at best, merely reviewed a Cliff Notes version, rather than one that required critical thinking. Or, at worst, they didn't bother and just read a summary, deriving everything from there. 

Kim Dokja's victimhood of bullying was also erased because this is something they also refused to touch. There is absolutely nothing about domestic violence here, folks. Nothing about his dad being a piece of shit, and that he literally rewrote his own reality for killing in self-defense. Nothing that his mom took the fall and any of the complexity of their relationship. Honestly, the backstory of KDJ conveyed so much about KDJ's character, and they butchered it. No, KDJ is not this heroic figure who is this altruistic about the world. He would sacrifice the world for his friends and is a manipulative fucker. 

The misguidance of the roles of the reader, writer, and protagonist in this movie is a trainwreck. Those roles are of fucking importance in the original, and what do you mean KDJ is the writer??? There is no YSJ because all her stuff is going to KDJ anyway. What do you mean that YJH isn't KDJ's favorite character and it's Heewon instead? Heewon, who is only revealed to be a canon character way later? YJH is now reduced to a side character, a disservice to his protagonist status as well as one of the roles as the three main characters. 

There are no skills that made KDJ the reader here. There is barely a mention of the Constellations, if at all, honestly, because it feels like they erased them either way. What do you fucking mean that he hates the novel he's been reading since that pivotal point in his life? He's not Shen Yuan!! That removed an important part of KDJ, and they fucked it up! 

There is a removal of characters that takes away a significant portion of the story. LSH is not even here because her role was taken over by YSA for some reason, and that reason is obvious. 

Every character is a disservice to their original characterization. I feel that if I discussed more of the SA and the sexism that the female characters experienced in canon and compared it with how they are portrayed misogynistically in the live-action movie, I'm gonna explode and rant. At least I kept KDJ as a paragraph, and I was trying to not go on because I refuse to give the movie more thought than it deserves. 

It feels more like they are attempting a power fantasy because how else can the women, with the loss of their interior service nothing more than the male fantasy? Getting rid of any queerness and making everything just another matter of power fantasy for dudebros and idol fans. 

They eliminated important arcs and skills that are prevalent in future arcs and the story as a whole. There are literally no character arcs for anyone, as they are reduced to power fantasy for the dudebros to project and pretty things for eye candy because that's what they essentially reduced every single character to. 

It was not even an adaptation. How could it be when it couldn’t adapt basic elements? And the changes aren’t made due to time constraints or easier adaptation from words to the screen. It’s made because the director and production crew couldn’t be bothered to read and actually understand the source material in a meaningful gesture. As misguided as the FMA live actions are, at least they try their hands at the source material. 

Godoka, you know as well as I do that KDJ’s actor would’ve nailed the novel characterization. What glimmers we had of him were just that glimmer, but otherwise than that, he was so changed that it couldn't be helped. Of course, they would get rid of any arcs for the women. YJH’s actor tried his hardest to be as close to the original as he could, but there were so many changes that his acting didn't change a thing. 

For Arceus’ sake, this was supposed to be a five-movie franchise. With arcs that they eliminated for no good reason (they couldn't even bother doing the theater dungeon if that gives you an idea of just how fucked they are with storytelling), there is no fucking way I see them tackle any of the arcs well, seeing how they got rid of established worldbuilding and character writing to get this mess. 

I’m putting this all at the feet of the director and the production crew. The actors are hired for the shit. Yeah, it’s bad that their first introduction was to a badly written slop; they were blended from a basic summary and a horrid interpretation of said summary. Those who read the novel had fought but failed to win against an apathetic director and production crew who only used the ORV name for their own benefit of revealing everything ORV stood for. 

It is disappointing that a large part of the cast did not read the novel, but I'm firmly blaming the director and the production crew here. They are in charge of writing the shit for the silver screen and failed in adapting. There was no communication of important info such as the master-disciple relationship, but considering how much the director and production crew 'care', I doubt they were thinking about anything else but their own arrogance. 

It wasn't even their first rodeo of badly adapting either. Their previous contract had the writer in tears. 

SingNSong is diplomatic about their views on the movie since they can’t say anything bad about it. They are damning it by faint praise, and really, the faintest praise I can give it is…some actors tried their best to be as close to the actual characterization. 

Had it been original, it would just be d-tier save the world power fantasy mediocrity, which it still is. 

However, with ORV slapped on it and the ORV is in name only, then it's just stupid, mediocre, or even just plain bad leftovers that aren't even good. 

There is a part of ORV fandom that I think is toxic positive about this movie. I have to make it clear: This movie have it been a standalone and not associated with ORV would be a second-rate underwhelming apocalyptic film that does not stand out from its brethren other than having some interesting things that isn't explored that much anyways. However, it has ORV's name slapped on it, and SnS has been diplomatic, not outright approving of it but not outright hating it either, because they have to be neutral. Do you really want this KDJ associating with our KDJ? Do you really want any of the movie's superficiality associated with the novel's complexity and themes, because I hope fucking not, because the movie isn't HTTYD! The movie can't stand on its own, other than being a high-profile but lacking camp in name only movie that displayed cliché tropes that did nothing to stand out. 

Do you really want outsiders to think that this is a good taste for the source material they could take a dive into? I'll recommend the One Piece and Bleach live actions for appetizers if they really want to tackle the actual thing. I would not recommend the FMA live action to anyone to even consider watching FMA that way, nor would I recommend Death Note 2017 for that either. Fuck, even the new dub for Detective Conan is a great appetizer if they really want to tackle the series as well. Again, adaptations are great as a sample for the real thing. If people see these bad adaptations, they might not take the dive either way. The movie has the chance to show the world why ORV is so loved, and this is not it. Being toxic positive about the movie is not going to change the fact that most people won't understand why ORV has such a large following if this is the reason. 

Why else is there so much happiness when newbies come in from the OPLA and fans welcome the newbies? 

ORVLA is in the same status as these live actions. They could be appetizers for the real thing, which in this case is the novel. The live-action adaptation is never supposed to be a substitute for the real thing, but at the very least, it could've been more than just in name only and driven interest in those who would be genuinely interested in what ORV actually offers. Instead, what it looks like is that all the movie offers is a power fantasy of the lowest grade. Heck, at least Solo Leveling earns that power fantasy on the same level as SAO, admittedly, but at least those have something while this movie has nothing. 

It's not even a good movie by standards. It's just bad with all the worst elements of what ORV fought against to write their story. Do you want to be positive about that when ORV wouldn't want their themes and what they have written their characters to be associated with something so clearly misogynistic and lacking love for anything? 

This movie lacks love everywhere it has. Nothing is going for it, and why should you want to defend something that is going for the easy route of K-drama and idol fans instead of making quality films and actually using the language of filmmaking, just as ORV used the language of storytelling? 

I know the novel said that even the worst of storytelling has its own place in the world, and people use that. I would like to point out that it does not excuse the movie for being everything ORV stood against. Really, this movie's flavor of bad isn't even a so-bad-it's-good kind, just bad, with a clear display of misogyny and a misunderstanding of the source material, all on full display. I'm sure it has its lovers, but when people are putting the novel to elevate a mediocre piece of work that is the movie, then shouldn't they know the point was to adapt, not to change so radically that it's in name only? The movie production crew and director have been putting down the novel because they skimmed it instead of bothering to read it deeply. To them, it's a power fantasy that they see and change to their will. 

Do not watch this movie. It's utter trash and an affront to the novel, the very concept of storytelling and filmmaking. 

As SNS-nim said, please read it. You know it's bad that the only praise they could even utter is that they like the opening scene, and that's it. 

The State of Kid's Entertainment

 

Sadly, nowadays, the kids' entertainment space is in dire straits. Never mind that the whole entertainment space is dire, with glimmers of hope, but we're talking kids' entertainment, and that one is terrible. 

Remakes of classics, dumbing down, and refusal to engage kids at their level or at least treat them with respect so that they could gain knowledge of what is coming are just growing at an increasing pace. 

It's gotten to the point that the only family films that come out are just the remakes. Yes, I'm including the HTTYD remake too since American regard of animation is designated for children and no one else and not as a medium. 

Remakes are literally everywhere. It's even infected the Japanese video game space, where FFVII and the Persona games, at least 3 and 4, are getting remakes. Hey, at least P4's spinoffs aren't getting remakes, and I can't believe that's the silver lining. 

Kids' movie media is not in a good spot. Sure, for all the animation hybrid and stylization, Disney is no longer the frontrunner of ingenuity and heart. 

Elio was just okay. Nothing about it offers much to adult audiences. It's just downright tragic what Pete Doctor says that Pixar will do to appeal. Like the rest of the Disney empire, they are just in either a slump era or plateauing altogether, only saved by sequels and remakes, and even that's short-term. 

On a sidenote, why the hell are people supporting the movie? Don't hate-watch it. Just pirate it if you want to watch it. If you buy a ticket other than someone being an internet online critic who makes money from their reviews, you are still supporting the shit. Look at Snow White. Do that and just pirate the shit out of it. 

Anyhow, I think there’s more than just stupidity behind the decision to make the live-action Lilo and Stitch get a sequel. The marketing is once again fearsome alongside serious nostalgia. 

I don't count Kpop Demon Hunters as that's aimed at a teen audience. At least teens have a choice of media. Kids don't have that, never mind what parents are taking them due to nostalgia, one way or another. My cousins have their own Disney+ account for the whole family. 

Aside from the 'animation is for kids' bs, the usual suspects are the ones handling the family media more than ever. However, I feel that Pixar is appealing less to adults now and more to kids. Elio was just okay, but there isn't much about it that I can recall that speaks to a more adult audience. For Pixar wanting to appeal to everyone, it just feels generic and bland, not enough bite to it. If the Disney movies of the present are toothless, then Pixar is just plateauing. At least Elemental found an audience. 

I only remember the first fifteen minutes of Brave and the Merida speaking scene to the rest of the kingdoms, and even that one is just vague. And at least it has something for adults. Inside Out 2 might be the very last one with adult maturity content in Pixar's current library until Pixar gives a voice again instead of doing this generic human thing, because I have no other words to describe it. 

It's gotten to the point that American kids' media is just not in a good place, and elsewhere can be found. Bluey is Australian for Godoka's sake. If that's the case, kids have to seek foreign media in a time where MAGA is in power and destroying anything they see as unfit in their regime, and the progressives have to take the win and continue to fight 

Honestly, waking up to the continuous nightmare that is our current administration is just numbing. The very fact that they see anything virtuous as something awful, and can be bought by an organization, as they did. 

While kids' media have their ups and downs, this feels like the lowest. 

Kids only have what they can take, that isn't talking down to them. For all the advancement in Sony's direction of animation and how they are going for a wider audience in different movies they are planning, the same could not be said for animation television and movies handled by big leagues that are flooded by conservative families and investors. 

Anything even has death or something 'adult' would scare the shit out of these people of the current day. 

Not knowing that Disney has had deaths in the past, and they are still regarded as some of the best. Avatar: The Last Airbender's live-action show has purity culture written all over it, plus actual sexism. That show is not going to get any better. 

I mean, when we are living in fascist America, there needs to be conservative values within a corrupt and cruel administration that is willing to protect the evil of their world and deny anything to those who put them there or not. 

Children do deserve better, especially when they are getting better stuff. Power Rangers degrading to pure elementary school kids' stuff without any of the teeth of the good ones is just one of the many examples. 

Children deserve better than what is being pumped out by the big studios and what adults say that children can't comprehend now; they misunderstand their intelligence. 

With the media of today not even wanting to touch the adult subjects, even written well-written or executed perfectly, it does not matter to them. 

To them, it's just something that should've never existed because kids should never learn any of this. 

With PBS and so many others losing their public funding to fund their cruel initiatives, it’s more important than ever to support them. 

Media literacy is at a low, American education is on the line, and AI is used as a shortcut. 

Kids of this generation deserve better than to have an oligarchy that cares for itself and no one else. 

FOMO or Fear of Missing Out

I'm decidedly not a gacha person. I don't trust myself with them, and my childhood just had bad luck when it comes to luck. The only gacha I'm gambling is with Mamo pokemallows once he gets the blind bags going; I kept my Jirachi from the last one, so I could see what I could trade with it in the future. 

But even then, this FOMO is not good with the hype. One really should step back and decide which ones would make you happy, and for the sake of your wallet. 

Witchxing is really destroying my wallet. It was December 2024 when I last preordered from her, and now I've ordered the two Ariels in April, and now I'm going for the GWS Jasmine in June. I know I will be getting GWS Meg to make up for not getting BGC Meg. If there's a CCS Sakura or a Saturn in the future, I have to get them because it's practically a given that I must have them for my collection. I already promised to collect every single Genshin and Honkai design they ever made. Furina is absolutely beautiful. 

Given the tariffs, I have to give Liu and Hunterflower only specific pins such as Aventurine, Sunday (second outfit), Neuvillette, and any I collect earnestly. 

Silvy is destroying the wallet for two more Disney designs, with a confirmed Cinderella and Meg in the future. Of course I already broke the rule of only one pop for KPDH so now I will three or four more pops. If there’s a line I really like, I need Huntrix together.  If Silvy is doing a Jinu Tuxedo Mask mashup, I wouldn’t pass that up and likely be the only Tuxedo Mask pin I’ll ever have. 

Mamobot is obviously the winner of my wallet destroyers. I buy sets from him often, or create enough to get a freebie pin he promotes. 

The merch makers and everyone else whose products are made in China are having a difficult time changing their business models just so they don't go bankrupt. They have to keep up with news of the tariffs just so they at least keep their business accounting numbers in line. 

The FOMO and the hype that caused it created a lot of hype where it’s more trendy than what it actually meant to the people. Geeky things might be widely accepted now and even seem cool, but make no mistake that trendy does not equal genuine happiness. I know that I would be feeling genuine joy finally getting Noddi Saturn after waiting for it for who knows how long, and will get their own story because that wait so deserved it. 

I know Labubus is so popular now that it's even trickling into other communities. I harbor no interest in them, nor do I feel any need to get any. I don't get into hype that often. Even now, while I understand the hype for Sinners, I do not understand the hype for the live-action Lilo and Stitch. 

The thing is that I fear that for those who have genuine passion and love, there are those who buy into it due to its trendiness or scalpers who resell them at insane prices. Maybe those who bought into the trendiness like some of what they bought, but again, the keyword is trendy. 

It's distressing to hear that people are willing to break into people's cars just to get rare Labubus. At least when I have sought after pins, I keep them and treasure them. I don’t think anyone outside of the hobby knows what it really is, because I do see scalpers raise obnoxious prices for sought-after designs. 

Unless scalpers know which is which for what market, they must go deep. For small businesses, they don't make the money that should've gone to them when people resold their merchandise at high costs and not because of the value it was estimated at. 

The thing about collecting is love, passion, and intentionality.

It's great to see adults openly professing their love for these instead of supposedly aging out of them. Animation in the US is still widely denigrated for kids rather than the medium it actually is. 

We don't want to see adults age out into this beige nothingness. My parents might not be thrilled I'm buying pretty shinies, but between my pins or drugs, which would they prefer? Whimsy and what brings you happiness make it better. Buying stuff that brings you joy is better than not having anything that brings you happiness, than not having anything to show, except out of financial concerns where you can't afford it, where I understand. 

At least that's a good thing that came out. Having pins is a great pick-me-up for me because the beauty of the art is translated so well into the pin. 

There are forms of gambling with gacha games and blind bags. 

People have been collecting forever, and overconsumption has been a thing since forever. They think it would make a quick profit or an investment in the short run or the long run. Given that these items have specific purposes, it's rare to see that investment pay off. 

Scalpers and resellers are the ones ruining the hobby for everyone, buying up everything to the point of committing crimes and starting fights for them. All over something silly as a toy or a piece of cardboard, that brings happiness to others, but not the scalper who is buying it up for easy money. Ever since I heard of these incidents, I'm just wondering why these people are even doing this?? 

Why push aside kids and other grown adults just for some easy money or because you have that thing even though there is zero need to do any of these things? 

It’s the scalpers who pick fights and are generally hostile because they see it as money rather than actual passion and love. I’m very sad that the fans are dealing with this. 

Sure, there are jokes about stealing other people's collections in these collecting hobbies, but one of the things people say is not to compare collections that you feel less of somehow for not having this rare item. 

I don't know why these people don't know that tenet of collecting. I made my peace that I'm not going to get some particularly rare pins from makers who made especially limited editions that aren't open for preorder. At least I know I can get Abigeyedowl and Witchxing's LE pins because they determined LE by their open preorder. 

For long-time lovers of said items, it's disheartening to see people just going with trends and insanity ongoing instead of just doing something good for themselves. 

It's gotten to the point where even Chiikawa and his friends are being eyed for stealing. Just why??? I was only introduced to them through Jaiden Animations and Emirichu and know they have been growing in popularity everywhere else, but for people to see it as dollar signs??? Just why???

These little trinkets and shinies are supposed to bring happiness. They're a pick-me-up and a hobby, not a way to make money, nor was it meant to. Though, given the way with Beanie Babies, it had always been that way for money-hungry people to see it as such. 

I don't know it's gotten this bad that it escalated to horrid fights rather than just pushing people out of the way harshly. It's downright embarrassing to see grown adults fighting what they see as a money opportunity instead of adult collectors collecting what they love. 

At least those collectors in the family who choose to only have a couple of Labubus are happy with what they have. One of my cousins wanted one based on a picture, but was extremely happy and incredibly attached to the one she pulled to the point she was happy to put on the Lakers wear on him because it's Kobe Bryant's birthday. 

I think while they do like the thrill of a blind box, they love dressing up their Labubus more. 

FOMO is a real thing. Heck, I experienced things while in the pin community. I have to separate feelings of whether I truly want it or not. 

I grew up with Disney, yes, but I harbor zero feelings toward collecting Disney merch. Never mind that I'm pirating the shit out of their movies already, my pin collection leans more eclectic when it comes to Disney, and it's all fantasy because I refuse to funnel money into them....because my cousins are with their Disney+ accounts and I'd rather not. With modern Disney the way it is, there is no way I want my money to go back to them. 

I'm open to everything, but the movies I don't care for, such as obviously Frozen and Brave. I'm very strict when it comes to Disney designs, and I know when to cut my losses more easily than I do my other collections. With the Punzie I got, Pascal was part of the design, and with the Jasmine I'm getting, Rajah is also part of the design. My Cinderella collection will have more adaptations, considering one of my favorite books is Ella Enchanted and one of my comfort movies is Ever After. Godoka, how I love the Cinderella fairytale enough that I read every single variation I could get my hands on. I still haven't found the Brandy Cindy pin yet. 

Hype is really easy, too, especially in niche interests. 

For example, HSR is still immensely popular, with each update praised. ORV is getting popular by the moment at the time of writing. 

For example, dyed soft enamel pins have been extremely popular since Mamobot's Pokemallows made them. Even if you aren't collecting them, the interest in them has grown that other previous businesses have gotten some interest. To be fair, those are popular before the mallows but kept in their own original series rather than a popular IP like Pokémon. 

Stained glass pins are also popular. Cateye effect has some level of popularity at the time of writing. 

Tried and true effects like pearl and sandblast will always be popular. The issue is that people kept throwing the effects to see which works, and testing it out is just a circle. 

Still, when competitive drops for popular things get this much, it's enough to see people feeling the FOMO and those who really do collect and love the thing. 

I've been differentiating a lot of feelings, so I know of which thing I prioritize. Mamo's Pokemallows for instance, I've been prioritizing what I feel I need more than I want which is helpful when I'm collecting the normal versions of the Eevee Fusions with the Shinies being the bonus only while the Gardevoir Fashions rely on my fashion taste with the Shinies depending if I really like the coloring. I mean I finally got a Patreon exclusive after some months after the Shiny Jirachi, so there's that. I'm hardly that big of a fan, except if there's a Ditto Dragonair, then maybe I'll get it. It's still a Ditto just as a Dragonair. 

I have to set hard rules for myself. Compared to most people, what I spend is considerably less. Even though parents do judge, what I spend is less. Even in my worst months, it’s still not even touching the piles I've seen people spend on. 

There is no way to meet supply and demand, especially for a small business. I have to make hard decisions and focus on what I need. 

There are very few pin businesses that can be made a day job. Mamobot is definitely successful enough to have accessible pre-orders and to buy in large quantities. Nuwa certainly had not changed any of their practices either. From what I heard, Sugarbones is on this level. Witchxing and Abigeyedowl had not changed their practices either. 

For multiple reasons (full-time job, family, unable to expand without losing core aspects, mental health, time, etc), pin businesses have to do what is best with them. Small businesses that are utterly time-consuming, like pottery, have to do what is needed for the sake of the artist. 

I mean, I haven't bought anything from Nuwa aside from getting two pin club spots and a Disney Landscape that is entirely Patreon exclusive, I've just been supporting her every month with just three bucks. 

My brother supported some people through Patreon as well. For me, I have to be reasonable with whom I can support. Sure, I could be joining three or four clubs within a month to get a reward or to get access to a design. I just can’t join Mamo’s Twitch subscription for various reasons, be it time or simply that I can’t join a long-term subscription outside of the Patreon I’m already giving to him. I need to allow myself to support more than one creator in their clubs. Never mind that I can’t join Mamo's Pokemallow club, which was undergoing a test run. I know he's trying to move away from Patreon and has to make the difficult decision to discontinue a tier one day because of the tariffs. He's successful enough to still make bulk orders of pre-order, but he's still hit enough to cut down the pre-order deadline to a few days instead of a week. Nuwa is still doing a weeklong preorder because I have seen no change, no discussion with Patrons. I've been a longtime Patron since 2023 and only took a few physical reward slots. I mean, I was fortunate to have the Patreon tab still there for me to nab a Goddess Tier for the US Patrons before the entire tier sold out in a few weeks, I think. I was quick enough to nab Queen tier again for KPDH reward pins. 

I have to make important decisions regarding my budget. Regarding the Kpop Demon Hunter collection, I just reduced it. My other collections deserve more attention than something I'm happy with, just a few pins. It's teeny tiny, as I have stated before. I'd rather find that money for Meg x Herc Heart, which I don't think is even finished, considering she's been focusing a lot on new ship art like Captain Swan and Rujinu. She's very slow producing, never mind that what she puts out there creatively is very nice and immaculate. 

I have to be careful with PSS, too. I have to make the decision to not collect Anaxa outside of Minty. Only Aven and sometimes Sunday get the honor of having other collectors. I still need Kakavasha in my Aven collection. Kaveh gets that distinction more as I collect him more than even Childe, and I'm still waiting for the Childe Scrapbook. Usually, the yellow Pantone colors aren't my favorite colors, which is a funny thing because a majority of my collection are blondes with Aven, Kaveh, Rapunzel, and Cinderella and Kaveh has some greens too, another color I’m strict on. Then again, it's the same thing with green and Kaveh has a lot of greens. I saw Astral Gala Jupiter, and she looks so good with the peacock gown, and I almost want to put it on my impossible ISO list. Some black hair characters have Hotaru Tomoe and the ORV main characters, the majority of the time. Due to issues, it's just sad that I can't collect all the P4Ps out there. At least I got the P4P I wanted. 

I have to force myself into a mindset that I’m okay missing out on these because of budget reasons. If I want them, I have to delay getting them at presale. 

Unless it’s design(s) I’m utterly in love with and really cannot part with, I have to ponder if I really want it or not. 

Honestly, it’s easier to convince myself that I don't need to buy it because I don’t need it. It’s also easier to simply delete the tab if I'm not buying from that maker. 

I know my method isn't for everyone. 

Sometimes, a collection can be too much for people, and they are just buying their favorites. Anything that has a large cast or a monster selection will have this. For example, Mamo's Pokemallows are getting too much for me and certain people, hence favorites. Collecting every Sailor Scout is not plausible unless you are the person who has the money.  

It all depends on needs versus wants. Little trinkets bring little happiness. Heck, my AX haul still brings me happiness after the terrible week that happens after that. 

My pins are bringing me happiness. It's a luxury as much as any hobby is now. 

Even little trinkets that bring happiness are just a little luxury that not everyone can afford in this economy. I have to skip and make the decision not to buy other characters that I'm already collecting to some extent. It's better for my wallet and sanity that I just buy something that is within my collection. Even for most Disney now, it's a no-go with my budget and in general, and only going for those I truly want. 

It's better to cut back and be picky for budget's sake. 

FOMO shouldn't be the thing. Anything that is popular shouldn't peer-pressure anyone into collecting. 

It's okay to go with trends, but for the love of Godoka, please pull back and examine yourself. 

Scalpers cannot be convinced of their own bad behavior, disrupting collecting habits and trying to make money off it. However, if the businesses produce more, scalpers have less reason to sell off at a high price, which is generally undesirable for anyone. 

I really do like some cards and figures I have seen, but it's better for my sanity that I stick with pins for now. There are designs I've been wanting, so that's a priority. I choose designs that I know make me happy.